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![]() Concept supercar for film (2005). Click for larger images. ![]() Mustang program sketch (2000) ![]() Interior concept program sketches (2003) ![]() The beginning of all ideas before going digital ![]() Focus RS production clay model development (2000) ![]() Ford Focus ST final product shown at Geneva (2005) ![]() L-GT clay model (2001) ![]() Development of full size L-GT concept clay (2002) ![]() Building of prototype bodies in South Africa |
Nov 30, 2005 A recent Business Week article stated that "never before has design been so vital to an auto makers success, maybe even to its survival". Much of the reason for this is the close parity in quality between different brands and the general high quality of new cars; according to J.D. Power, vehicle quality has improved 24% in the past five years. This situation is well recognized and is perhaps reflected in the more expressive design direction that several brands are now adopting in order to better differentiate themselves. But what is not so broadly recognized in addition to the growing importance of design as a differentiator, is the significant growth in volume of design output.
Hilton and his associate James Hope have a strong portfolio of OEM, European, US and Asian design work behind them. Amongst many projects for Chrysler, Ford and Johnson Controls, Hope was a lead designer on the Ford Mustang and worked recently on the interactive interior for the Fiat Trepiuno concept. Hilton has worked in the US, Japan, Brazil, Germany and the UK for many OEM brands; his most recent work before founding MCE was on the Ford Mondeo. MCE also has a core of 10 associate automotive designers based in the US, UK, Germany, France, Sweden and Spain, all of them with a high level of digital design competence - a must for this new type of design studio. Their clients currently include Ford of Europe, Hyundai, Kia, Tata and C2P Automotive (a UK-based sports car engineering company). |
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